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    Ethereum: Everything a Beginner Needs to Know on Ethereum , Hörbuch, Digital, ungekürzt, 227min
    Would you look at Ethereum and ask yourself how to use it? Did you use bitcoin but want to try something new? That is the book for you then! Bitcoin isn't the only digital legal tender out there; the fact is that there is a lot of useful and valuable digital currency out there on the market today, and Ethereum is the second most popular currency after bitcoin.If you haven't heard of Ethereum, perhaps this is the perfect time to get to know it and understand why the alphas are secretly investing in it. What many people do not know about Ethereum is its multifunctional potential that can be used not only economically, but cryptographically, as well.Sounded like a potentially lucrative situation to me, so I wanted to dig a little deeper. Like Bitcoin, Ethereum is still relatively unknown to those who don't keep up with the world of cryptocurrencies, and the amount of available knowledge is restricted or highly technical. Nevertheless, it was interesting and the more I read about Ethereum, the more I started seeing its enormous potential. And I am not alone in this. More Wealth 500 companies are investing in Ethereum technology as it is becoming increasingly profitable and poised as we know them to transform business processes.You can also learn about the consensus algorithm of Ethereum that improves its usefulness by using the job proof: a process that is associated with all digital currencies. Another thing that will concern you as a cryptocurrency lover is discussing the virtual machines of Ethereum. EVM is a device that sends the programming instructions, tests the transaction states, and executes the code to produce predictable results.Developers have built Ethereum in such a way that other innovations will interact with it in order to make it better suited to the needs of the ever-growing market we are in today. If you're new to the crypto community, don't be afraid. You have nothing to worry about as this book will provide you with ungekürzt. Language: English. Narrator: Keith A. Bailey. Audio sample: https://samples.audible.de/bk/acx0/217762/bk_acx0_217762_sample.mp3. Digital audiobook in aax.
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    Big Band of Bachelors Bundle: SEAL Brotherhood Series , Hörbuch, Digital, ungekürzt, 1498min
    Bundle includes four popular books from the Band of Bachelors, part of the best-selling SEAL Brotherhood Series. Includes all four books: Lucas, Alex, Jake, and Jake2. Band of Bachelors: Lucas Special Operator Lucas Shipley thought his living arrangement was temporary since getting booted from the house by his wife. He sleeps on a couch in the apartment with four other divorced Navy SEALs, thinking he’ll get the call to come home any day. He ignores the not-so-helpful advice his buddies are giving him about marriage, women, and romance. Until he gets served with divorce papers.Realtor Marcy Gelland is hired by Lucas’ soon-to-be ex-wife to liquidate all their real estate holdings and help her orchestrate a speedy departure from Lucas’ life. Based on what the hot-headed SEAL wife has told her, Marcy understands Lucas deserves every ounce of pain coming his way.But when Marcy and Lucas are left alone together in a remote Northern California woods, they ignite a personal bonfire that threatens to burn down the whole forest. Marcy is forced to see she is wrong about Lucas.Band of Bachelors: Alex Adrenaline junkie and Navy SEAL Alex Kowicki is one of four bachelor SEALs trying to navigate his successful military career while achieving his goals as a first class connoisseur of beautiful women. He isn’t ready to jump back into anything but his free falls, HALO drops, or his missions overseas. He trusts his buddies to fix him up with another blind date that won’t be as dangerous as his last ones.But Sydney Robinson has other plans. A beach volleyball player who can spike better than most men and block with explosive speed to defend her side of the net, she executes a series of events to include stalking the handsome SEAL all the way to Sonoma County wine country and delivering his carcass to her bed. Having achieved her first goal, she sets about to become a pro AVP player.B ungekürzt. Language: English. Narrator: J.D. HART. Audio sample: https://samples.audible.de/bk/acx0/134628/bk_acx0_134628_sample.mp3. Digital audiobook in aax.
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    Power BI Data Modeling: Build Interactive Visualizations, Learn DAX, Power Query, and Develop BI Models (English Edition) (eBook, ePUB)
    Build Power BI Models Efficiently and Effectively KEY FEATURES ● Extensive examples illustrating Power BI and data modeling concepts.● Includes graphical images and explanations of using Power BI.● Numerous hands-on practical examples are teaching best practices in predictive modeling. DESCRIPTION Creating data models has never been straightforward. This book demonstrates how to formulate a complete business analytics model that combines several data sources, executes numerous computations, and scales across hundreds of BI users. To begin, you'll learn about the Microsoft Power BI ecosystem by downloading the Power BI desktop and exploring all of its features and capabilities. Through examples, you'll learn how to connect to databases of Excel; and SQL Server, shaping the data with Power Query, and then transforming the data into actionable information. You will gain knowledge of the DAX language by exploring it, writing DAX functions, and creating hierarchies. You will be trained to develop effective business intelligence models by studying numerous data modeling topics. You get to put professionals' best practices to the test when handling large data scenarios and executing analytics on top of them. Additionally, the book discusses how to scale Power BI while considering its storage, memory, and security requirements. You'll see that several new topics have been included, including performance tuning, DAX Studio, sharing Power BI reports, and publishing reports to Sharepoint online. WHAT YOU WILL LEARN● Conduct profiling, cleansing, and transformation of data.● Build data models, aggregate data, and create hierarchies.● Practice DAX language, write calculations, and execute them.● Utilize advanced features including AI visualizations and performance analyzer.● Examine various connection types and connect data from different sources.● Enhance performance by boosting storage and memory. WHO THIS BOOK IS FORThis book is intended for data analysts, business analysts, and any other business user who are interested in learning how to develop data models using Power BI from beginning to end. To follow this book and master Power BI, a basic understanding of data visualization would be sufficient. AUTHOR BIO Nisal Mihiranga is a Big Data Engineering and Machine Learning Architect who has 10+ years' experience in the IT domain, and nearly 8 years of exposure to the Microsoft Business Intelligence stack. Throughout his career Nisal has engaged with many data warehousing and Microsoft BI projects from designing to insights delivery phase. He is a Microsoft Certified Trainer (MCT) with experience in conducting technical training programs including Microsoft Power BI in Sri Lanka, Singapore and Australia.
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    Nikkatsu Diamond Guys 2
    Nikkatsu, the oldest film studio in Japan, inaugurated a star system in the late 1950s, finding talent and contracting them to a series of wild genre pictures. This collection celebrates these Diamond Guys with three classic films from directors Buichi Saito (Lone Wolf and Cub: Baby Cart in Peril), Ko Nakahira (Crazed Fruit), and Haruyasu Noguchi, who is a new discovery for the West. In Saito s Tokyo Mighty Guy, mega star Akira Kobayashi stars as Jiro in the rambunctious tale of a chef who opens a restaurant in the busy Ginza district. His culinary skills and dashing good looks bring in the women as well as unwanted trouble, while an explosive political scandal builds around his girlfriend s business... Next, Jo Shishido (Massacre Gun, Retaliation), one of the most popular Diamond Guys in the West, stars in Danger Paws, a crime caper from Ko Nakahira about counterfeiting. When one billion yen goes AWOL, Joe the Ace (Shishido) spies an opportunity to get rich quick, but things soon go wrong as it turns out he isn t the only one who ll stop at nothing to get his hands on the missing cash... Finally, Shishido stars once again in Noguchi s screwball classic Murder Unincorporated. When the mysterious Joe of Spades executes one of the bosses of a powerful syndicate, his colleagues, fearing for their own lives, call on the services of assassin agency Murder Unincorporated to take care of the problem. This unique entry showcases some of the most peculiar killing tactics to ever hit Japanese cinema!
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    Dark Side of Rhe Bass
    Bass World magazine n° 33 Sounding Board The Dark Side of the Bass Francesco Fraioli, double bass Francesco Buccarella, piano N.B.B. Records NBB23 2009 The dark Side of the Bass features stunning performances by Italian double bassist Francesco Fraioli with Francesco Buccarella on piano. The CD includes three sonatas for double bass and piano by the composers Vilmos Montag, Hans-Peter Linde and Paul Hindemith. On the first track, the first movement (Allegro moderato) of the sonata by Vilmos Montag, Fraioli establishes his wide range of dynamic expression and depth of lyricism. Clearly, he is very influenced by one of his teachers, Francesco Petracchi.The entire work demands a legato tone that must be maintained over the wide register and over string crossings. Fraioli's agile shifting and string crossing technique allows him to maintain the dramatic and intense lyricism that score demands. Aided by the recording engineer's decision to utilize a close mic, he is able to clearly articulate every note of the rapid gestures while sustaining his lyricism throughout. However, it was very surprising to hear him occasionally negate his best qualities by opting to perform some of the spiccato passages very off-the-string. Fraioli's pizzicato tone is supportive, deep,very sustained, rich in overtones, and most importantly, dark in timbre. This is especially true at the end of the first movement. Perhaps his dark, rich timbre is what inspired the title of the CD. Despite the close mic, which favors clarity of fundamental frequencies and transients of the envelope more than the overtones of the bass, I'm even more impressed at how Fraioli was able to achieve such dark timbres under these circumstances. The Vilmos Montag Sonata was composed in 1967, but it's careful chromaticism and restrained emotion will remind the listener of the conservative romanticism of the cosmopolitan French tradition of the late 19th century. In other words, if you liked César Franck's Sonata for Violin and Piano, you will like the Montag. The effective writing is very idiomatic and does not confront the double bassist with unreasonable and unmanageable difficulties. Vilmos Montag wrote the Sonata for his brother, Lajos Montag, a double bassist. The Sonata by Hans-Peter Linde, also written in 1967, will immediately remind listeners of the music of Shostakovich, especially the fugato section of the first movement. Also, like much of the music of Shostakovich, the Sonata by Hans-Peter Linde successfully walks the tightrope between the two extremes demanded by late 20th century audiences. It is accessible to the casual listener, yet the work can also satisfy the more sophisticated listener who also wants to analyze the work on multiple levels. Fraioli's approach on the Linde Sonata differs from the Montag. It is much more passive, careful, and in some places, even introspective in nature. The approach is cautious, carefully studied and rigorously appropriate. It is absolutely à propos for the mood of the Linde Sonata. There are formidable double stops in the third movement, and Fraioli executes them with poise and precision. The final sonata on the CD is Paul Hindemith's Sonata for Double Bass and PIano (1949). Fraioli realizes this venerable staple of 20th century repertoire with distinctive lyricism. Both Fraioli and pianist Francesco Buccarella eschew the traditional, misguided practice of square, mechanical and cold phrasing that has often plagued performances of the Hindemith Sonata. From the first sustained note, Fraioli shapes each note with sensitive detail drawing from his expressive vibrato and his command of the lyrical strokes in his right-hand bowing technique. The interpretation is fresh and classic all at once. The recording engineers Lorenzo Gerace and Stefano Cappelli are to be commended for their recording of the piano and double bass in an unusual space that would normally invite unwanted resonances and distortions of the sound waves. Not only did they compensate for such an unfavorable environment, they were able to allow the reverberations of the hall to appropriately color the sound of the double bass and piano. The balance of the double bass and piano in terms of volume and frequency distribution across the spectrum allowed for a unification of the two instruments as a chamber ensemble and ultimately empowered the musicians to produce a recording that is both transparent and ideal. -review by Jeremy Baguyos ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ The dark side of the bass project aims at emphasizing the "hidden" assets and qualities of the double bass, on the one hand highlighting the instrument's enthralling poetic aspect while on the other hand stimulating interest in it's repertoire. Conceived together with Luca Aversano, lecturer in the history of music at the DAMS department of Roma Tre University College of Liberal Arts, the project's relationship with the academic world has proved so fruitful that it has transcended the mere cultural level and lead to the shared use of a physical space. In fact, the university's main hall was transformed into a recording studio that hosted both the musical performances and the recording sessions. Relying on the technical mastery and performance skills of Francesco Fraioli on double bass and Francesco Buccarella on piano, The dark side of the bass features works by Vilmos Montag (Sonata in E minor, 1967), Hans-Peter Linde (Sonata in E, 1967) and Paul Hindemith (Sonata, 1949). Besides their being paradigmatic examples of twentieth century music, the artistic style of double bass, as brought into play by these works, has proved a valid testing ground for daring musical experiments, whilst allowing for the creation of refined aural moods. One of the highlights of the CD, for both it's cultural and historical relevance, is the premiere recording of Hans-Peter Linde's Sonata in E (1967). Furthermore, the author has even agreed to be personally involved in the project by providing an introductory note to the sonata for the booklet accompanying the CD. Luca Aversano ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------Vilmos Montag, sonata in e minor for double bass and piano (Ed. F Hoffmeister, 1967) Vilmos Montag was born in Budapest February 16, 1908. A student of V. Kladirko and N. Zsolt, he received his diploma in violin at the music high school in Budapest. Later, he graduated in orchestral conducting at the national conservatory. At the same time, he studied composition with L. Lajtha and graduated with honors (Franz Liszt award). At the age of 20, Montag joined the Budapest Opera orchestra as well as that of the philharmonic society. In 1957 he moved to Sweden where he continued composing and where he died in 1991. His musical production consists of pieces for piano solo, a method on piano playing, 5 cadenzas written for the classical concert repertoire, orchestral works, chamber music and a mass. The sonata for double bass and piano in e minor, composed in 1967, is a product not only of musical inspiration, but of family alliances, as well. In fact, it was his brother Lajos Montag who asked him to compose a piece for the double bass. Lajos was a first rate double bassist and composed considerable music as well as a didactic method for the instrument. The part of the double bass in this sonata is transposed a step down from the normal pitch, except for the lowest string. The three higher strings are raised a whole tone according to the classic tuning of Bottesini, while the bottom e-string remains the same. The result is a mixed tuning which opens up new melodic possibilities. Instead of the normal perfect 4th intervals between the strings: e-a-d-g, we now have e-b-e-a. A perf
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