• 

  Bedtime Stories for Adults & for Kids: More than 50 Stories to Listen in Family. Say Goodbye to Insomnia, Anxiety and Panic Attacks. With Advanced Meditation and Hypnosis Techniques , Hörbuch, Digital, ungekürzt, 600min

  Stories and fairy tales have always been fundamental tools to pass on knowledge, traditions, and life teachings from old generations to new ones.Our life is brimming with tales whose fundamental characters date back to the very beginnings of the history of humankind. With the passing of the centuries, characters and stories have undergone changes and variations according to geographical location and historical contexts; however, the structure of each fairy tale includes fundamental and immutable elements:A heroAn anti-heroA challengeAn educational endFrom Aesop’s fables to the fairy tales of the Brothers Grimm, the common thread always touches these fundamental elements. Even contemporary fables cannot do without them, despite the fact that they appear completely different from the tales of the past.In addition to their educational and didactic value, nowadays, fables and fairy tales have also been enriched by the fundamental value of sharing and participation in the family. The sharing of tales in the family suspends time and tells of characters and stories that are always current and that unite children and adults in the evolution of the adventures of all the characters.Bedtime stories also guarantee moments of intimacy and sharing within the family. Moments of fundamental importance that will remain forever impressed in the memories of each child with all the tenderness and genuineness possible.Indeed, it is in the evening, just before going to sleep, that the little ones process what happened to them during the day and often need to be reassured. Through fables and tales, mum and dad can bring comfort and courage to their little ones without tackling the subject that causes stress head-on and, at the same time, offer the best tools to overcome the small difficulties of everyday life successfully.These stories will help the family to:Share precious ungekürzt. Language: English. Narrator: Marigold Moors. Audio sample: https://samples.audible.de/bk/acx0/209202/bk_acx0_209202_sample.mp3. Digital audiobook in aax.

  • Shop: Audible
  • Price: 9.95 EUR excl. shipping
• 

  Bedtime Stories for Kids: 27 Children’s Stories to Fall Asleep Fast and Learn Mindfulness, the Best Stories for Meditation and Relaxed Sleep , Hörbuch, Digital, ungekürzt, 301min

  Stories and fairy tales have always been fundamental tools to pass on knowledge, traditions, and life teachings from old generations to new ones.Our life is brimming with tales whose fundamental characters date back to the very beginnings of the history of humankind. With the passing of the centuries, characters and stories have undergone changes and variations according to geographical location and historical contexts; however, the structure of each fairy tale includes fundamental and immutable elements:A heroAn anti-heroA challengeAn educational endFrom Aesop’s fables to the fairy tales of the Brothers Grimm, the common thread always touches these fundamental elements. Even contemporary fables cannot do without them, despite the fact that they appear completely different from the tales of the past.In addition to their educational and didactic value, nowadays, fables and fairy tales have also been enriched by the fundamental value of sharing and participation in the family. The sharing of tales in the family suspends time and tells of characters and stories that are always current and that unite children and adults in the evolution of the adventures of all the characters.Bedtime stories also guarantee moments of intimacy and sharing within the family. Moments of fundamental importance that will remain forever impressed in the memories of each child with all the tenderness and genuineness possible.Indeed, it is in the evening, just before going to sleep, that the little ones process what happened to them during the day and often need to be reassured. Through fables and tales, mum and dad can bring comfort and courage to their little ones without tackling the subject that causes stress head-on and, at the same time, offer the best tools to overcome the small difficulties of everyday life successfully.These stories will help the family to:Share precious moments ungekürzt. Language: English. Narrator: Marigold Moors. Audio sample: https://samples.audible.de/bk/acx0/224612/bk_acx0_224612_sample.mp3. Digital audiobook in aax.

  • Shop: Audible
  • Price: 9.95 EUR excl. shipping
• 

  Trapstar Double Book (Parts 1 & 2 Boxed Set) , Hörbuch, Digital, ungekürzt, 419min

  Trapstar 1 Brianna Cambell had a tough road to travel growing up in a household where she was unwanted. A constant reminder of her mother's indiscretions, Brianna is unwilling to continue to be the target of her step father's anger. She leaves her suburban life style for the streets of Charlotte NC. In true Charlotte faith Brianna is linked up with Treshawn Nash, a local hustler. Tre has lived the alternate life; raised by his grandmother who showered him with love in the midst of violence, drugs, and poverty. The two are made for each other. Brianna provides the genuineness and innocence Tre has longed for. While he gives Bri the unconditional love she desperately needs. However, when tragedy strikes their world is turned up side down. Trapstar 2 Brianna is back and shining brighter than ever. After getting sweet revenge on the man who murdered her fiancé and one true love, Tre, Bri finally has peace. She is ready to take on the streets and everything else life has to offer as she continues her rise to the top. Charrise and Kasy are right by her side on the ride to street glory. Unfortunately for Brianna, the foe she thought was gone forever, has somehow found his way back onto the streets and into her life. Faced with an all out war, Kasy solicits help from the one woman he knows can truly hold Brianna down, his cousin Selena. Hailing from South Jamaica Queens, his pint sized vixen has an angelic face and deadly hands and feet. When she arrives in Charlotte for what she believes will be a good change of scenery, Selena is thrust into a violent whirlwind. Her mission is to protect Brianna and her budding empire. Brianna and company is here to remind you that "Trapping ain't dead, these niggas just scared" and the money is here for whoever has the balls to take it!!! ungekürzt. Language: English. Narrator: B. A. Washington. Audio sample: https://samples.audible.de/bk/acx0/018156/bk_acx0_018156_sample.mp3. Digital audiobook in aax.

  • Shop: Audible
  • Price: 9.95 EUR excl. shipping
• 

  The Scole Report

  The Scole Report - An account of an investigation into the Genuineness of a range of Physical Phenomena associated with a Mediumistic Group in Norfolk England: ab 11.99 €

  • Shop: ebook.de
  • Price: 11.99 EUR excl. shipping
• 

  Ethics of Literary Communication

  Ethics of Literary Communication - Genuineness directness indirectness: ab 131.99 €

  • Shop: ebook.de
  • Price: 131.99 EUR excl. shipping
• 

  Grimm Language

  Grimm Language - Grammar Gender and Genuineness in the Fairy Tales: ab 134.99 €

  • Shop: ebook.de
  • Price: 134.99 EUR excl. shipping
• 

  Deeper Higher

  ' Tessa and Jon are the real deal! Not only are they well skilled in their musicianship, but they have the hearts of true worshippers. Their music has a unique, quintessence feel to it that leaves you feeling cleansed, renewed and strengthened. They are not afraid to write music that is 'out-of'-the-box' with lyrics that draw you nearer to the throne. If you get a chance to see their music live, you'll leave feeling joyful, hopeful and encouraged not only because of their uplifting music, but also because of who they are as individuals. ' ~ Rachel Mains, Radio Host 'Corner Cafe', KLLT ' Jon and Tessa are two of the most genuine folk I've ever met. Their music reflects their genuineness. The honesty and real life truths that are expressed through the words of their songs meet the hearts of everyday folk where they are in their everyday life. You will find yourself humming their original tunes as you go through your day, and you will be thoroughly uplifted and refreshed by the smooth, Holy Spirit inspired melodies.' -- Kelly Matthews, Worship Leader, The Rock Jon and Tessa are family to us. We have known them for years and feel grateful to be in community with them, in fact they are a blessing to everyone they meet. Their character is amazing. They lead worship at our group and do it with their whole hearts. We have been privileged to hear many of their songs on their new CD in the 'unplugged version' at our gatherings. They truly live the message they sing about. They are fun-loving, generous, passionate and warm-spirited and this comes across in their music. If you give them a listen you won't be disappointed! - Rob and Pam Utesch The Estuary, Pastors and Counselors Jon and Tessa Fuqua have been together for more than 20 years. They have served in the worship ministry of churches in Texas and Colorado. Their songs are born out of passion and joy and intimacy with God. They have a sweetness and anointing that pours out in their worship and in their lives. They have recorded under the band name "Audience of One". Jon and Tessa also enjoy and create in many different styles of music outside the worship venue. In their busy lives, they have worn many hats. Jon has worked for NASA, in the IT industry, and in telecommunications. Tessa has been a lawyer and a music teacher. They have home schooled their children - Mikaela, Isaac, and Amani - and served in various capacities in church. The Fuqua's are part of a non-traditional community of believers in the Denver area called The Estuary and also are involved with The Rock church in Castle Rock. Besides music, they enjoy competitive sports and the outdoors, art, movies, and chilling out with the family and friends. Their newest work, 'Deepr Higher' was released on December 2010. They have two previous works, "Hand of Love" (2001) and "Treasure" (2002).

  • Shop: odax
  • Price: 25.46 EUR excl. shipping
• 

  Banks of the Little Auplaine

  THE BAND: Based in Minneapolis, founded officially in the summer of 2009, the members of Julie Johnson & the No-Accounts, who share a connection to the music program at Augsburg College, have been collaborating for several years. Julie Johnson has played with groups as varied as the Minnesota Chorale and the Texas blues singer Dede Priest, while Doug Otto (of Doug Otto & The Getaways) and Drew Druckrey (of The Jason Dixon Line), have also played together in bands such as The North Country Bandits. THE ALBUM: The original songs and versions of traditional Upper Midwestern tunes on The Banks of The Little Auplaine (written or arranged primarily by Julie Johnson, but developed by the band) straddle a line between song and composition, popular and chamber music. Influenced by many artists, including Gillian Welch, Astor Piazzolla, Patty Griffin, Heitor Villa-Lobos, Bela Bartok, and Robert Johnson, the band has struggled to define the music they make. Thomas Mann in The Magic Mountain comes the closest, in his description of those pieces that "fell between the two categories" of "the lofty and conscious creation of individual artists" and "simple folk songs ... in that they were products of an intellectual art, and at the same time sprang from all that was profoundest and most reverent in the feeling and genius of a people-artificial folk-songs, one might call them, if the word artificial need not be taken to cast a slur on the genuineness of their inspiration.' While the band started out playing the Delta blues tunes and traditional Southern standards that drew them to roots music-artists like Leadbelly, Howlin' Wolf, and Skip James-here they focus on soulful music from the Upper Midwest. They hope to be a part of finding and interpreting their own region's melodic, rhythmic, and thematic folk tradition and history. THE SONGS: Bob Dylan wrote the original Winterlude in 1970 for his album New Morning, but it's hard to find anyone who's ever heard of this unexpectedly sweet and light tune. A jaunty arrangement and an incongruous bass clarinet play up the charm of that surprise. The Removed. Based on characteristics of the French Canadian folk tune "Le Petite Rocher," this song's open, crystal-like harmonies speak to the landscape of Julie Johnson's childhood in Lake of the Woods County, Minnesota: the stark beauty of it's flatness, it's long blue-and-white winters. Originally written for two flutes, this version for flute and resonator guitar captures the effect Johnson originally intended. Writing this piece led to her deep interest in the folk tradition of the Upper Midwest. Arkan, a dance tune popular among the Ukranian Hutsul (from southwestern Ukraine), is often heard at the Ukranian Heritage Festival in Northeast Minneapolis, an area historically populated by Eastern European immigrants. Natalie Nowytski, of the Ukranian Village Band, introduced Johnson to the tune, who arranged it in a tango/bolero style, exploring the percussive possibilities of the mandolin, acoustic guitar, and bass flute. Found in Franz Lee Rickaby's Ballads and Songs of the Shanty-Boy, a collection of lumberjack songs from Minnesota, Michigan and Wisconsin that were popular in 1870-1900, the Golden Age of American lumbering, the haunting The Little Auplaine speaks to the dangers of the Upper Midwest's early industries. One of the only shanty-boy songs whose original authorship is known (W.N. Allen, also known as "Shan T. Boy," who wrote it sometime in the 1870s), Johnson's arrangement uses an altered version sung to Rickaby by M.C. Dean of Virginia, MN. Allen's version is in a major key, includes differences in the melody, and spells the title "The Little Eau Pleine." Laura Ingalls Wilder, author of the eight Little House books, which tell her family's story of living on the land in 1870-1889, is perhaps the most famous pioneer of the Upper Midwest. This version of the hymn The Home of the Soul, as sung by her mother Caroline, is found in The Laura Ingalls Wilder Songbook and referred to in the most harrowing book of Ingalls' series, The Long Winter. Snowed in in Dakota Territory during one of the harshest winters on record, near starvation, the family listens to the song with hope and dread: "The hymn blended with the wailing of the winds outside as Ma sat in her rocking chair and softly sang about the beautiful land where no storms ever beat." A traditional Métis jig includes both European (French, Scotch, and/or Irish) and Native influences, it's up-tempo, lively, and made for dancing. The Métis (a term at times loosely, at others strictly defined, here it is used to describe those of Native-Canadian or American-and European descent who trace their roots to the Upper Midwest or Canada) commonly included extra and irregular beats in jigs to challenge the quickness of a dancer's feet. Red River Jig is one of the most popular Métis fiddle tunes from the mid to late 1700's. Also found in Rickaby's collection and also sung by logger M.C. Dean, The Cumberland's Crew, though it describes an event that occurred far south (the sinking of the Union ship Cumberland off of Newport News, VA in 1862), was, according to Dean, "a great favorite among the boys." Johnson worked for a fraught and lonely mood with a bass flute solo followed by tight and often dissonant three-part harmonies. The shanty-boy worked alone, and, unlike the tunes sung by many other laborers, shanty-boy songs were not often accompaniment for group work. But in the evenings, when lumberjacks came together in camp, storytellers and singers were highly prized. Using extended techniques, the solo flute piece The Panther asks listeners to expand their ideas of what the flute can be and do. Johnson features the influence of Ojibwe music in this piece that drives aggressively forward like a chase. Minnesota Finnish communities often include Jos voisin laulaa (If I Could Sing) in celebrations of the festival of Midsummer (Juhannus). Joyce E. Hakala, in The Rowan Tree: The Lifework of Marjorie Edgar, Girl Scout Pioneer and Folklorist, includes the song and describes Edgar's work of collecting folk music, tales, proverbs and traditions from Finnish people on the Minnesota Iron Range. This song was sung for Edgar in Ely in 1930 and in Duluth in 1931, by various singers. Johnson's arrangement seeks to capture the enchanting mood of many Finnish folk songs. This version of Gary's Polka was collected by LeRoy Larson, head of the Minnesota Scandinavian Ensemble, and is a composite version of those played by Calmer Brenna, a Norwegian fiddler from Middle River, MN, and Bill Sherburne of Spring Grove. While the lazy beginning of Johnson's version was inspired by an old cowboy movie, the flute and clarinet runs in the second half play with both polka and jazz. Cover Art: The Banks of The Little Auplaine by T.J. Malaske Band Photos by Christine Rooney CD recorded at Wild Sound Recording Studio in Minneapolis, MN, and designed & manufactured by Noiseland Industries, Minneapolis, MN.

  • Shop: odax
  • Price: 26.36 EUR excl. shipping

---

---