45 Results for : vibrates

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    Profile Weathered Ivan Cardinal feels like sitting on a back stoop somewhere watching the light appear and travel the sky and slowly fade away. But it is more than a day. It is a shadowy and luminous journey through many seasons condensed into forty minutes. The album's tracks arcs a reflective and introspective landscape, an intimate look at the struggle of battling the tide of oneself and the outside world. It is a confession of weakness, recognition of futility, all rimmed by a declaration of triumph. Minneapolis songwriter James Waller, in collaboration with multi-instrumentalist Jon King, is Weathered Ivan. Each track on Cardinal is a chapter. Each chapter is a conversation someone is having with themselves and the listener is standing in the hallway unbeknownst, witness to the overt meditation. Tracks WHAT DO YOU BELIEVE is a slow, steady, numbing tromp that attempts the impossible escape from oneself. The chorus is a wispy interlude breaking the dark stride, floating like a leaf that near the end of the song spirals intensely, finally resting on the unresolved question of "what do you believe?" THESE WALLS lumbers through a sterile and dark landscape. Percussion like distant thunder rattles as a cello weaves a haunted curtain that drapes the composition in muted light. The resonant whispered vocals plea with the listener to not deny the social inequities existing within the lies broadcasted to the masses. The song ends with the sounds of a child's music box, subtle reminder that the world of possibility is not gone but has been covered by the ash of fires burning. LOVE WE NEED takes a bright departure from the previous tracks, a jilted high-stepping montage of guitar and horns. The instrumental rays of light are during the verses juxtaposed by the story of a tired and defeated self, moving into a chorus of clarity begging to see the 'love we need'. The steady pace of the song feels like someone trying and trying again the same things over in an attempt to reach lucidity, when a commitment to honesty and love is the true antidote to any pain. SOMEDAY is the smoke blown from the mouth of a man with a handlebar moustache, who smiles and beckons to you to see what's behind a stained velvet curtain. The mildly abrasive swing styling, along with a suspicious organ under lay, sends the message that the truth is not evident and cannot manifest itself in anything. The gravely vocals warns the listener of the imminent dumbing down and homogenizing of society. Someday we will all be the same, or someday we'll break free if we can learn to open our eyes. BE HERE TONIGHT rolls in and out like sparkling waves smoothing the edge of a rock. The crisp bright cymbals shuffle the seconds along as the guitar melody lolls gently in the background, punctuated occasionally by light-filtered crystalline rays of piano and organ. The chorus roars in with an admittance of love like a long drawn shade torn from a window. SUN'S LAST RISE is an epic composition of concession. A reflection on the struggles emerging from within and those that push down from the outside. An ominous and dreamy backdrop of guitar and organ provides scenery of lost recesses of the mind. The placid vocals create an assured mixture of acceptance and victory, the song ending with the feeling of being tucked in to bed - peaceful, but never knowing if you'll wake. WHEN'S MY TIME GONNA COME is a determined rock 'n roll song with a punchy backbeat. It moves like a spoked wheel on an asphalt road, propelled round and round by the guitar lines, flashing light and shadow. A slightly twangy track questioning when one will get what's deserved framed in a dusty, yellowish 8mm film-like hue. RAINY NIGHT is red velvet. It is a rose petal brushed across a bruised neck. A lonely, sultry ballad that wanders through basement bars and rain soaked streets. The saxophone plays call and answer to the lamented crooning of a jilted promise of love. It is a wish, a prayer, a confession written with blood on a silk veil. LET THE FIRE BURN is a slow motion high speed chase across a mile long lift bridge at night. The siren sound of the guitar trails blue in the distance as the chase towards another heart takes place. The whispered vocals of the verses are the words of an outlaw, all chances will be taken, the methodic backbeat - the words of a man with nothing to lose. The chorus softly erupts in an illumination of the dark corners of the world, the bridge rising just in time to leave the blue lights behind and the headlights free to seek what it desires. MANUFACTURED METAL is propelled down the line between two chords on the acoustic guitar, the snare drum stamping down the beat. It is the monotonous work of life. The punching in and out of the good and the bad and the perseverance evidenced in the act of putting one foot in front of the other. Electric piano vibrates in the background like sunlight poking through a canopy of trees, only the yellow leaves breaking the plane of vision. With a sudden turn of the head towards a beautiful bird cutting through the light and the shadows, the drone is broken and the listener is released.
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    When you are singing or listening to these songs, you are tuning your mind to the words. Songs causes you to get into the mood of the music. All spiritual and scientific discoveries have proven that everything is vibrating. Our thoughts are vibrating energy that you can feel in a song. What you think and feel can become real. I am a doctor of 'Science of the Mind'. All my research on this subject says that music can program the mind up to 300 times faster than any other method. What you think about all day is what you attract. Most people cannot think about wealth all day because they have other things to think about. This music can do that for you. You can sing, hum, and whistle a song while you do other things. The songs you choose are important, that's why I made this wealth conscious album. Each song has a special message for those who seek wealth. After you have listened to these psalms often enough, you can sing them silently in your mind. You will develop a wealth consciousness. You will begin to have ideas that you can do to make money. I have had the good fortune to use this method to create ideas that have been the answer to my desires, it can do the same for you. If you desire wealth this is one sure method to success. Wake up the genie within you as you listen to these wealth conscious songs. MUSIC CAN PROGRAM THE MIND My mission is to teach that music will plant the seeds of success for love, money, happiness, and health in your mind, and your mind will tune into the right vibrations, the right frequencies that can attract your desires to you and manifest them. Music is the key and you can hear it over and over with feelings, with emotions, which improves you faith. What you sing about, and believe, you will achieve. As you sing your song close your eyes let you imagination see what you sing about. This is powerful it can touch your soul deep in your mind. If you desire love, I believe that you should sing and listen to love songs, it will put you in the mood for love, and that karma will attract more love to you. If you desire happiness, sing, and listen to happy songs. You will notice that as other people come near they will also get a happy feeling. Your karma is radiating happiness from you this is energy that they feel. If you desire money, listen and sing songs about money. You will get into a mood for money and money will be on your mind, you mind can attract money to you. Just don't get into a rush wait patiently, and let it happen Music can cause your whole body to vibration, it will make you move and dance even when you are tired, music will make you get up and dance and once you start you are no longer tired. The mind loves music you know this is true all around the world people love music. Some say it is the universal language. What better way to bring joy and peace to the world? I believe mankind has known or suspected the power of singing songs since the beginning of the earth. It is time we all recognized this truth to bring our energy to life maybe it is because singing is simplistic. Simple is perfection.. The whole universe is like a tuning fork, that vibrates. Our understanding comes through vibrations making sounds, so we can communicate knowledge. Songs are the teaching tools of life. As a child you first learned to sing your ABC'S in a song because it was easy for a child to learn that way. Once you learned a song, that song was planted in you mind and you never forget it, no matter how old you are. That song stays with you forever. Even when you think you have forgotten it, the tune will bring back your memory. In primitive times the early people made drums and flutes to express themselves. They danced and sing songs with so much emotion they got carried away and into a spiritual experience Some lost consciousness. In the beginning before anything was created when God said that was a vibration. Creation comes from a vibration. God voice was like a melody and a song is the most pleasant of all the sounds, and is the first step to manifesting things. Even when you think in silence you hear what you are thinking, you hear the vibrations. Thoughts are vibrations even when they are not spoken out loud. Sing a song and your spirit will welcome the tune and with words you add emotions to the song, the universe loves the vibrations, and you are energized with the vibes and this energy can spread to others. That song can reach can reach the inner mind and connect to the soul three hundred times faster than any other method. It will last forever. You have heard this before to show that power. People will say it is like a song in my heart. When you sing you are free and your mind is open to the information of the song, the creator can hear you sing, by the vibration, and will create through the mind of the people. All things your health, your happiness, your wealth, your love all comes through you. A song clears away the blockage and the creator is free to speak to you through you intuition just like and echo the Divine will answer your song, that same as answering you prayers. The lord's prayer is like a sonnet. Singing a song can also realign you thought patterns. Which many people need, because their thoughts may be scattered, which can keep that person from thinking straight, or from focusing. A song can ease this scatter brain activity. A song is a real solution to help any one to get control of their thinking. Today our minds are being bombarded with all kinds of useless thoughts every second With television, radio, friends, newspapers, internet, and other media. We need a song, it is the answer and the only way to a moment of relaxation, a peace of mind so you can think of the things that matter. Let a song come into your life it will be like heaven on earth. I encourage everybody to sing. Dr. Bill.
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    Composer and artist, Kendra Carpenter offers music and sound-healing sessions, workshops, and retreats internationally. Her home-base is currently the lovely Swaha Studios in Portland, Oregon. In addition to the compositions of rich cello and piano harmonies, solo looped piano tracks are also provided on this album so that all music lovers can add their own vibrations... The purpose of Swaha! Is to enable you to perceive yourself and the universe in a fundamentally different way, using music to FEEL your way into a new, more enlivened reality. Every particle of the universe vibrates with energy ~ including every part of us. Each one of us is a precious, vital part of all that is, was, and will be... The sum of vibrations across the universe is Love. Pure, Vast, Resonance. This is Life's Grand Symphony. Whether harmonious or disharmonious, we often sense the interaction of vibrations through our feelings and emotions...from the awesomely positive to the abjectly negative. Once we can FEEL, we can think. Our thoughts become our beliefs. Our beliefs inform our actions and feelings. Our feelings, thoughts, beliefs and actions become our stories and what we think of as our LIfe. Music embodies the LIMITLESS harmonics of the universe. Music, from a single note to a cacophony, is vibration that can evoke within each of us the infinite range of feeling and emotion. By thoughtfully and intentionally using music to practice flowing with the harmonies and disharmonies of song, we learn to neutrally observe and flow with the harmonies and disharmonies of life. By practicing becoming the Observer, which is utterly unchanged by fluctuations of consonance and dissonance, we begin to re-experience the fundamental vastness of what we really are. The Result? Sometimes in an instant, and other times with intentional practice, we let go of all the stories and all the meanings. We REMEMBER our True-Self, we RE-EXPERIENCE Peace, we FEEL the universal resonance of Pure Bliss, we ARE Love. After all, every vibration, every harmony and disharmony is a variation of Love. When we feel love, we are love. When we share love, we are the flame that infinitely shares it's light. So go! Be Love.
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    Libera Me: [latin, líberá mé] 1. deliver me, free me Rhinóceri: the most ponderous and terrifying beast of the primeval forest. Libera Me is the adventurous debut album of the Rhinoceri Trio, who take their name from a ponderous and terrifying beast. Firmly rooted in the jazz tradition, the group's repertoire spans and blends a wide tapestry of influences including Ellington's jungle jazz, Eastern European folk music, Bach, Wagner and minimalism. In a world of musical formulas, honed to marketable perfection, why have the Rhinoceri Trio chosen the path of the ponderous/terrifying/beautiful? Perhaps Glenn Gould provides an answer when he writes, "The purpose of art is not the release of momentary ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity." Certainly there is much about their debut album "Libera Me" which speaks to the patient unfolding of a serene concept. Sophisticated through-composed pieces unfold over long arcs. Jungly-latin grooves open seamlessly into minimalist vamps, inverted Serbian grooves morph into Turkish rhythms, free-form improvisation erupts in the midst of disciplined counter-point. In fact, few albums combine such a wide variety of compositional structures. But Mr. Gould would be wrong if he were to imply that Libera Me was void of adrenaline rushes. After all, the Rhino is a wild beast living in the wilds of West Philly. After all "Libera Me", latin for "deliver me" or "liberate me", is the timeless spiritual/political cry of desperation/rage/resistance. This album percolates from start to finish with a constantly shifting terrain of emotional potency. Take drummer Gregg Mervine for instance. A seasoned player, leader of Philly's famous Balkan project the West Philadelphia Orchestra, Gregg came up in Philly admiring local jazz drumming legends such as Edgar Bateman and Mickey Roker. His playing is fiery, innovative and nurtures a deep sense of groove. At the same time there is a constant attention to compositional detail and a responsibility to the long arc of a composition. In his playing we hear endless experiments in Serbian 7/8 grooves, Macedonian 11/8, Turkish and Latin grooves as well as the bristling free-playing of his hero Ed Blackwell. His is not a typical approach to the modern jazz drumming. Or consider the contributions of pianist and composer Brendan Cooney. Many may recognize him as a baritone player in the West Philadelphia Orchestra, but the piano has always been his great love. Crippled by tendonitis at the age of 23 Brendan took a long hiatus from playing jazz as he relearned to play the piano from scratch under the tutelage of Bob Durso, local guru of the Taubman Approach to Coordinate Technique. (The Taubman work boasts such luminous students at Tom Lawton and Danilo Perez.) After years of careful, brutally-slow, reconstruction he has emerged with a virtuosic command of the keyboard matched by few. We hear in his playing the sound of patience reminiscent of Mr. Gould's "gradual, lifelong construction". At the same time it vibrates constantly with restless energy. Perhaps this is why we hear Bach's famous Fugue in Cminor erupt in to a moody afro-Cuban groove, or why a Debussy children's piece becomes a percolating 7/8 study in intensity. Maybe this is why a dark foreboding version of Ornette Coleman's Lonely Woman erupts into a frightening explosion that pushes at the boundaries of piano texture or why the delicate unfolding of a Wagner melody concludes with catastrophic bomastic-ality! Certainly Brendan's approach to the textural possibilities of the piano is a unique contribution to the ever-expanding frontiers of the instrument. Bassist Chris Coyle is the youngster of the group, a recent Temple graduate with a giant musical appetite and driving bass sound. He has studied with the best of the Philly jazz and classical bass worlds under the tutelage of the likes of Philly jazz legend Mike Boone and Philadelphia Orchestra verteran John Hood. He handily doubles Brendan on virtousic bass runs, bows his way beautifully through lyrical Wagnerian passage, delivers up tasty, soulful grooves over Duke Ellington's "I Like the Sunrise", and generally "lays it down" throughout the album. Together the three have created quite the musical adventure in this, their debut trio record. Where some trio albums can become monotonous under the limited timbre of the piano, this album remains vibrant, a constantly shifting array of textures, compositional devices and improvisatory schemes. All the while, the album remains thoroughly accessible to it's audience, unhindered by abstractions. It is a forward-leaning exploration in the creative life.
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    Pencils and small plastic balls in the ground Piano's inside. Piano vibrates them when playing.
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