47 Results for : jugular

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    Tumors of the Jugular Foramen
    Tumors of the Jugular Foramen: ab 96.49 €
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    Contemporary Management of Jugular Paraganglioma
    Contemporary Management of Jugular Paraganglioma: ab 117.49 €
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    • Price: 117.49 EUR excl. shipping
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    Neurochemical Monitoring in the Intensive Care Unit
    Neurochemical Monitoring in the Intensive Care Unit - Microdialysis Jugular Venous Oximetry and Near-Infrared Spectroscopy Proceedings of the 1st International Symposium on Neurochemical Monitoring in the ICU held concurrently with the 5th Biannual Conference of the Japanese Study Group of Cerebral Venous Oximetry in Tokyo Japan May 20'21 1994: ab 92.99 €
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    Band of the Hand
    Welcome to the jungle, Miami-style, where fast cars, dirty deals, hot women, and acid-washed jeans all come with the turf. While serving time in a grueling rehab program in Florida's Everglades, five young felons bond together to form an an unlikely union. When they turn to Miami's dangerous ghetto, the five former criminals wage a lethal war on the drug kingpins who rule the underworld of murder and mayhem. BAND OF THE HAND goes for the jugular, never once loosening it's grip until it's heart-stopping climax!
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    Digital Dark Age
    Destroy All Anti-Heroes By David Ensminger Although the Anarchitex have roamed the post-punk musical landscape of Houston for nearly three decades, the band's cantankerous barrage of noise remains far under the radar. Hopefully their newest and most chiseled release, Digital Dark Age, will finally crown them alongside other local veterans like The Hates and Mydolls as both survivors and sonic entrepreneurs, albeit with a more caustic underbelly than both. Part of their raw genius sprouts from Anarchitex's messy and motley history. At various times, band members have been involved in projects far and wide, including Naked Amerika, Really Red, the Pain Teens and Happy Fingers Institute. These bands made their marks at venues like the Island and Axiom in the 1980s, Commerce St. Warehouse and Catal Huyuk in the 1990s, and Rudyard's and The Mink these past few years. 'The creativity of the early Houston scene had a profound influence,' emphasizes singer John Reen Davis. 'Hanging around Ronnie Bond's [of Really Red] store Real Records taught me a lot. We started out as a keyboard-driven experimental band. Now, we're a power trio with [a] vocalist. 'Yes, we've changed, but the changes have been the result of artistic restlessness rather than any attempt to 'keep up' with the music world,' vows Davis. 'We've never tried to sound like other bands. We've never even tried to sound like the Anarchitex. We find it best to operate without a plan.' While their brethren have receded into the dustbin of history, the Anarchitex have proven that resilience and fortitude, maintained in the name of rebel art without pause, can keep a band prolific, poetic and pithy. 'We remain steadfast by writing songs with eternal themes, like U.S. imperial hegemony,' intones guitarist and singer Torry Mercer. 'Songs about how shitty the government [is] seem to remain timeless.' Digital Dark Age aims for the jugular of the modern information society, with it's entropy, pratfalls and false freedoms. Attacking at slanted angles with scissory irony, Anarchitex's wit is endless, emboldened by Davis's kitchen-sink realism and Dada style, which mingle in ravaging wordplay. 'Button on a Lapel' is a kind of anti-nostalgia ('I'm too old to skateboard / I'm too old to care') leveled off by urban haiku, seen from the point of view of a bus rider surrounded by blue-haired women and old men with Vaseline eyes. Meanwhile, the buzzing dark thunder of 'Blank Wall' feels like a meld of Midwest noise bands like Tar, the post-hardcore of Monorchid and Circus Lupus, and the rosters of 1980s labels like Rough Trade. The song lacerates religion, martyrdom, war and a future made possible by '99 percent of the people who do little more than take up space.' It is both a warning and a creed. 'CaCa Convention' is a succinct diatribe against political machinations and capitalism - an easy target, perhaps - while Midnight Oil rhythmic rumbles and lyrical sentiments pervade 'Brother Can You Spare a Dime?' The images of trampled working-class heroes and ruined Yankee Doodle innocence invoke the sizzling and sweeping books of Howard Zinn and John Dos Passos. 'Big Grey Boat' aims more internationally, cataloging the invasions of Grenada, Nicaragua and Lebanon. In such accounts, laissez-faire capitalism and war machinery go unchecked. History becomes an atrocity exhibition. Yet, the band packs some humor, even when dealing with heavy-duty topics. 'Growing up in a segregated Southern city where the police chief was head of the state KKK, rendered Nazi scientists started NASA and the space/arms race/Cold War, and oil-company tycoons plotted world domination using the CIA to destroy nascent Third World democracies, actually had no bearing on our sonic disturbances whatsoever,' admits Mercer with a sly smile. 'Falling asleep to the constant whir of window-unit air conditioners, however, was profoundly influential to our sound.' 'I Had a Science Fiction Childhood' is as demented as an early Ramones song: Mutants, electrodes and double-matinee monster movies crowd the narrative. It unveils the paranoid side of bubblegum punk, though the pop-culture detritus is broken, fragmented and chopped up by the stuttered tour de force. Lastly, tunes like 'We Are More Intelligent,' not unlike the mid-paced growl of iconic Big Boys at their early peak (but sans off-kilter funk), offer plenty of attitude and bile, howls and aggression, too. It spits in the face of public good-spiritedness, but with mock vitriol. Such slogans bite hard. The Anarchitex do not indulge in a rock and roll minstrel show, offer a redux sound of 1982, or forge a simple radical-politics looking glass. But they do revisit classic punk subjects with a vengeance. I might be crazy, listeners can hear them say between the lines of songs, but I am an unapologetic product of the world that hegemony makes and maintains. I am a babe in the blackened iHeart of the New World. And why is the Digital Age so dark in their point of view? 'The term 'Digital Dark Age' alludes to the impermanence of everything in a digital format,' says Mercer, 'If there is a future, folks there may never know anything about the times we live in now because some nitwit in the basement forgot to back up the files last night.' Former enfant terrible Johnny Lydon might be no more than a suntanned facsimile of his former self, but these pasty men have not suffered the same mind-numbing fate. Though casual listeners may mistake the album for a series of bitter and demented harangues, or as a breeding ground for helter-skelter explosivity, a taut tunefulness exists in the defoliated landscape of the Anarchitex's songs, where paroxysm and prose go hand in hand. Anger is still their inexhaustible energy. They wield it like a baton against the blunders of the world, with precision. 'It's our revenge on everybody who ever made fun of us,' Davis reveals. 'Like the prom scene in Carrie.' Houston Press Wednesday, Apr 20 2011.
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    Age
    Tourupdate: Live und in Farbe in Deutschland, Österreich und der Schweiz! (LP) Das fünfte Album des Queer-Pop-Kollektiv aus Toronto um Sänger und Gitarrist Joel Gibb. Das Gay Goth Scene-Video hat schon 118.000 Views!Seit 2001 spielt der Kanadier mit seiner Band The Hidden Cameras nun. Ihr 5. Album 'Age' dekonstruiert seine musikalischen Wurzeln. Da sind kleine Referenzen in den Stücken, fast unhörbare Miniaturen, aber sie sind da. Tatsächlich muss man, um Age zu verstehen, die Ohren auf den Boden legen, die Wurzeln wachsen hören wollen zu versuchen, die Augen schließen, den eigenen Herzschlag ignorieren, die Geräusche filtern. Da sind Trompeten, Trombonen, ein Waldhorn und hinter dem Dickicht, zwischen den Irrlichtern, flimmert dann in der zweiten Strophe der eiskalte Drumbeat von Bela Lugosi's Dead von Bauhaus durch. Chilly Gonzales spielt Piano. Mary Margaret O'Haras Stimme ist dort zu hören. Die Mary Margaret O'Hara die eben auf Morrisseys November Spawned A Monster aus dem Off dazu kam. Age ist gewissermaßen Joel Gibbs Coming-Of-Age-Album. Rückblickend erforscht er die verschiedensten Schattierungen von Age. Age darf nicht allein Alter übersetzt werden. Zu vielschichtig sind seine Bedeutungen. 'Age' ist ein Manifest von Wahrhaftigkeit größtenteils in F-Moll geschrieben. Und F-Moll, das wissen wir natürlich, das ist die Tonart der Klage, der Schwermut, aber auch der Sehnsucht soundcloud.com/thehiddencameras/ TRACKS: A 1. Skin & Leather A 2. Bread for Brat A 3. Doom A 4. Gay Goth Scene B 1. Afterparty B 2. Carpe Jugular B 3. Ordinary Over You B 3. Year of the Spawn
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    • Price: 17.52 EUR excl. shipping
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    Velvet Revolution
    After the expectations created with their acclaimed "Live In NYC" EP, two years of non-stop touring and winning the prestigious 'Rock en la Gruta' award, Love Division finally present their long awaited debut album, "The Velvet Revolution", recorded at Madrid's Geek Studio and at Sun Studio in Memphis, and produced by Fernando Pardo. "The Velvet Revolution" is an album full of energy, raw power, elegance, darkness and lyricism. Full of powerful guitar driven rock songs, of suggestive choruses and skin deep emotion, of violence and the peace that follows violence, of riffs, nihilism and decadence. And most importantly, full of great songs. "We have tried to stress the importance of the concept of a song throughout the album, with the intention of creating a hit with each single track. Each one of these songs is aimed at becoming a generational anthem. It may sound pretentious, but it's the truth". From the declaration of principles of album opener 'Nothing We Believe In', to the strength and raw energy of 'Troubled Ways' or 'This Is The Warzone', through the touching 'For Nothing' or 'The Velvet Revolution', the painful 'Angelene' or the goodbye represented by 'Life Will Never Be The Same', "The Velvet Revolution" is a sonic explosion of excess and redemption that awakens the senses and slaps them in the face. "With each song, through the riffs, the lyrics, the melodies, our intention is to move something inside the listener, something very deep. With force and with words, with fists and with tears, with a one-two punch goal: a punch to the jugular and a punch to the heart. Double impact". The sound sculpted by Fernando Pardo enriches Ricardo de Abiega's strong and elegant voice, surrounded by powerful guitars and powered by a rhythm section that is as blunt as it is subtle. "We knew what we wanted to sound like, and I think we have managed to get the best out of each song." Their ambitions were not precisely humble: "We wanted to combine the nerve of NIN's "The Downward Spiral" and the violence of Nirvana's "Nevermind" with the elegance of Depeche Mode's "Violator" and the moving energy of Johnny Cash's "American Recordings". All this with a guitar, bass, drums and military discipline. We are very demanding with ourselves". The Velvet Revolution is not just a collection of good songs. The lyrics also deserve very special attention, becoming a key aspect in the album: "Lyrics should be crucial in every musical creation, and we wanted to grant them that relevance". Lyrics are emotional and touching, raw and confessional. "Each song represents it's own little world, but there is a cohesive element throughout the record, which is the relationship between the individual and the world that surrounds him. From media and political alienation thru personal disappointment, each day should be a vindication of who we are and what we are in this world for. A declaration of independence of thought and the birth of something new and something better. A velvet revolution". In the upcoming months the band will be back on the road to present their acclaimed live shows. A fresh new face with a brand new sound and a lot to say in the rock scene. "We want to look people right in the eye and spit out our truth. The closer, the better. Love Division cannot be understood without live shows". When Love Division speaks, they are loud, clear and straight to the point. "We have the songs, the band, the drive and the ambition. We can't fail. We want to be in the end year 'best of' lists". It's the revolution. Rock & Roll is dead. Long live Rock & Roll 'The Velvet Revolution' - Reviews: "Overwhelming in form and content. An amazing production and the best set of songs conceived this year in the country's rock scene. Ten ton riffs, wonderful melodies and the elegance of the dark side. An amazing rock album that has a lot to enjoy. Without a doubt, a record that makes it to the top of what has been produced in this country." Rock And Roll Army "A solid and attractive record in it's variety, energy and bluntness. With "The Velvet Revolution" Love Division has made one of the albums of the year in this country." Orpheo Fanzine "Tags don't work here, this is Rock music, but Rock produced in 2009: a few drops of punk, acoustic guitars with beautiful crossover songs and indisputable melodies chained like a rollercoaster of emotions that closes with two hits to be remembered: "The Velvet Revolution" and the perfect end of "Life Will Never be The Same". Beware, an amazing album." Viva Las Vegas, Radio Enlace "Expectations are fully met. Rock and roll flows through their veins with the intensity of an electroshock. The intensity that exhales from songs like "Troubled Ways" or "I Bleed When You Bleed" tells us about a band that can stand shoulder to shoulder with the likes of Sex Museum, Backyard Babies or Diamond Dogs. " Mondo Sonoro "The Velvet Revolution is one of my favourite rock albums of the past few years. An overwhelming record." Time For Action! "There is soul in this record, there is talent and there is variety (from Johnny Cash to Social Distonrtion). I hope the mainstream media discovers this album, it's so much worth it that these lines run short of emotion." Despachopop.
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    • Price: 22.25 EUR excl. shipping

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