48 Results for : buffing
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Dr. Martens Shoecare Kit 1 ULTRA PROTECTOR WONDER BALSAM,Natural
Shoecare Kit 1 by Dr. Martens - Contains: 50ml canister of Wonder Balsam, a bottle of Ultra Protector spray and a buffing cloth. Wonder Balsam is an exclusive blend of natural and synthetic waxes formulated to nourish, condition and protect leather Ultra Protector Spray creates an invisible, breathablelayer of protection against dirt, rain, UV-rays and stains Plus, a handy and soft Dr. Martens-branded buffing cloth that easily removes dirt, marks and residue- Shop: Office London
- Price: 15.00 EUR excl. shipping
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The Polishing And Plating Of Metals; A Manual For The Electroplater Giving Modern Methods Of Polishing Plating Buffing Oxydizing And Lacquering Metals For The Progressive Workman
The Polishing And Plating Of Metals; A Manual For The Electroplater Giving Modern Methods Of Polishing Plating Buffing Oxydizing And Lacquering Metals For The Progressive Workman ab 40.99 € als Taschenbuch: . Aus dem Bereich: Bücher, Taschenbücher, Wirtschaft & Soziales,- Shop: hugendubel
- Price: 40.99 EUR excl. shipping
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Car Talk, Eddie and Edie Electron, December 21, 2013, Hörbuch, Digital, 53min
This week on Car Talk, why does Michelle have to rock her car violently to get it to start? Tom and Ray have a highly advanced technical explanation, involving Eddie and Edie Electron. Elsewhere, the Magliozzis try to bring holiday peace to two married couples. First, Veronica's husband wants to re-live his childhood by buying a vintage Land Rover that's likely to spend more time sitting in the front yard than moving along the road. Later, Reed's wife wants to use his beloved Ford Bronco to tow her horse trailer. Also, retired mechanic Steve wants to try to change his own timing belt, but is worried about incurring the Wrath of Mom; and Jim's nephew used a bottle to scrape ice off the windshield of Jim's Tercel. Is the solution a buffing, or a bricking? All this, and more, this week on Car Talk. [Broadcast Date: December 21, 2013] Language: English. Narrator: Tom Magliozzi, Ray Magliozzi. Audio sample: https://samples.audible.de/rt/cart/131221/rt_cart_131221_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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Caesar's Shadow - A LitRPG Series: Gods & Kings, Book 1 , Hörbuch, Digital, ungekürzt, 986min
History obsessed gamer Matt Bailey has always dreamed of commanding his own Roman Legion. Now he can. The newest VRMMORPG Gods & Kings is the closest thing to a time machine he’ll ever get. With the powers of his Warrior Priest class, Matt must build his army, level his followers and discover new battle formations that will help him defeat his enemies and become a true Roman general. More victories means more glory and more men - so Matt must use all his knowledge of history to give his fighters the edge in battle, as well as buffing his troops with ancient magic and even summoning mythic beasts to fight alongside his men. It’s awesome! But his carefree attitude soon earns the scorn of a serious competitor who has made it his mission to rewrite history and see Matt and his allies destroyed. To see the version of Rome he loves come to life, Matt must use all his skill to defeat his nemesis and save the empire. ungekürzt. Language: English. Narrator: Joe Jameson. Audio sample: https://samples.audible.de/bk/adbl/055627/bk_adbl_055627_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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The God of Second Chances: The Making of Moses , Hörbuch, Digital, ungekürzt, 196min
The Bible says that no prophet emerged from Israel like Moses. He knew God face-to-face, and indeed he was called a "friend of God". This is high praise for somebody who spent his first 40 years as a nobody. But how did Moses become a somebody? He did it through trial and error, through his failures and God's forgiveness. The Lord refined and remade Moses by giving him many "second chances". God works in our lives the same way, He's still giving away "second chances". The Lord wants to remake us. His goal for us is not a trouble-free life or a prosperous existence. God's goal is transformation, change from the basic raw product to a faithful, obedient, and refined disciple of Jesus Christ. Such transformation takes time. It takes buffing. It requires abrasives. Sometimes it's painful. But God knows just what it takes to get us there. He did it with Moses, and He can do it with us. What we need in the midst of life's baffling and bewildering experience is not an explanation, but just a deeper understanding of The God of Second Chances. ungekürzt. Language: English. Narrator: Raymond Todd. Audio sample: https://samples.audible.de/bk/blak/001489/bk_blak_001489_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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Daughters of Courage , Hörbuch, Digital, ungekürzt, 719min
Can love and friendship survive hardship and war? Following the gripping story of the Ryan family in Margaret Dickinson's top 10 best seller The Buffer Girls, Daughters of Courage sees Emily and Trip fight to keep their new life afloat in the turbulent 1930s. Emily Ryan has gone up in the world since her arrival in Sheffield. Brought there by her mother's ambitious schemes for her brother, Josh, she had found work as a buffer girl polishing cutlery for the city's famous trade. With the help of a friend, Nell, Emily eventually set up her own buffing business, employing those with whom she had once worked. Married to Thomas Trippet - Trip to his friends - they plan to build a life together, but when Lucy, Nell's daughter, disappears, it seems that the menace from the past is never very far away. Trip is now a partner with his half brother in the Trippet family's cutlery manufacturing business, but their success is threatened by the Great Depression of the 1930s. Can Emily keep their family and friends safe from the shadow of unemployment? And then comes the threat of another war.... ungekürzt. Language: English. Narrator: Julie Teal. Audio sample: https://samples.audible.de/bk/macm/001019/bk_macm_001019_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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Carolina Cellobration
PROGRAM NOTES (by the composers) Buffing the Gut (1995) Buffing the Gut was commissioned in 1995 by Buffi Jacobs, then an undergraduate student at the University of South Carolina studying cello with Robert Jesselson. I was a doctoral Teaching Assistant, studying with Dick Goodwin, and Buffi was in my Sight Singing class. One day she asked if I'd write a piece for her senior recital. A relative would get that for her as a graduation gift, and so we sat down together to explore ideas. I recall asking, "what do you like to do on cello when you are just messing around and having fun?" Her eyes widened she played some "rock guitar licks" that I then embellished and used in the piece. We had a fun time collaborating on the first draft, which Dick helped me refine and Robert expertly edited. It is no surprise that in addition to her professional "classical" career, Buffi has been a long-time member of the acclaimed rock group, The Polyphonic Spree. My title was inspired by Buffi's name and the image of a cellist bowing so ferociously that the strings on the cello smolder and appear buffed. I ask you to imagine a cellist alone in an empty concert hall after a concert, playing for the sheer joy of playing. Ben Boone Two Movement Sonata (2011) The first movement of the Sonata, Rondeau, begins as a five part rondo i.e. A, B, A, C, A. That pattern is then repeated in ever shorter statements. The reduction in the length of each part is roughly equivalent to the proportions of the Fibonacci Series. This process continues to a point about four minutes and a few seconds into the piece. Then it goes in reverse to expand each part to the end. The second movement, Scherzo Canonico, recalls lines and textures from the first movement in a scherzo, trio, scherzo form. The scherzos are round canons at the unison and the trio, a cancrizans canon. The Sonata seeks to tell no story nor to reveal any deep spiritual truth. It is a piece of abstract music. It is what it is. Here end the program notes for a piece which has no program. Samuel O. Douglas Lilies (2011) Lilies, as a flower, are thought to symbolize purity and a return to innocence. In that spirit, "Lilies" is a reflective and gentle vocalise for cello and piano. The work is in three, expansive sections. The opening features a long, lyrical cello line over a slowly rocking bass in the piano. This gives way to a more restless, searching middle section, which in turn leads back to an altered version of the original melodic material, and a quiet, if somewhat mysterious, resolution. 'Lilies' was commissioned by the Jesselson/Fugo Duo in 2011, and is dedicated in memory of John McElyea. John Fitz Rogers Frieze (2011) The German novelist and poet Johann Wolfgang von Goethe (1749-1832) once said that architecture is "frozen music." In architecture, a frieze refers to a horizontal band of decorative images found along the top of a wall that are typically a set of variations on a single theme. Written for cellist Bob Jesselson and pianist Charles Fugo on the thirtieth anniversary of the Jesselson/Fugo Duo, Frieze (2011) explores musical analogues of mathematical frieze groups, symmetric line patterns on a two-dimensional surface that infinitely repeat in a single direction. These types of patterns are mapped onto the pitch and time domains to create the musical ideas that form the basis of the work. The titles of the seven movements are double entendres, terms with very precise meanings in mathematical music theory that have very different meanings outside of music. For example the second movement, titled "Mosaic," refers to a design made from small pieces of colored tile or stone in art, whereas in twelve-tone music it refers to a way to partition the aggregate into subsets. Dr. Reginald Bain In Memoriam (September 11, 2001) I wrote these sketches while watching the horror of the attacks of September 11, 2001: the collapse of the World Trade Center, the attack on the Pentagon, the plane-crash in Pennsylvania. I didn't have a piece in mind, or consciously set out to write one. But the sketches seemed to belong together, afterwards, and to fit the solo cello.* It was my way of holding each other in our loss. It reflects my sadness, our collective sadness-- the loss of loved ones, looking for survivors, not finding. Hoping it isn't true, disbelief...it is true. The slow motion collapse of the towers--with that collapse, all of our losses, our national sense of invulnerability gone...humility, interdependence, prayer. Meira Warshauer *Originally for solo cello. Subsequent versions for violin solo (commissioned by Gregory Harrington), violin and cello duo, violin and bass clarinet duo, clarinet solo, clarinet and bass clarinet duo, clarinet and cello duo (arr. By Suzanne Mueller). Also available for solo cello with string ensemble (9 players: 3 2 2 1 1) or string orchestra, and for solo cello with cello ensemble (6 celli, arranged by Mirel Iancovici). Published by Kol Meira Publications (ASCAP), 3526 Boundbrook Lane, Columbia, SC 29206, USA. Yizkor (Remember) (2009) Mourning can be both private and public. When we visit a grave or observe the anniversary of a person's death, we generally do so in private. 'Yizkor' (which is Hebrew for 'Remember') is a prayer for the public observance for the community of bereaved. These two movements are the last two movements of a three movement work called 'Yizkor'. I had written a one movement piece for cello solo by that name in 2001 after the horrific events of 9/11. The cello was the solo voice that cries, the solo voice that is heard no more. In 2009 I felt that the piece needed more, so I added the two movements included in this album as further amplification of that feeling. These second and third movements of Yizkor are included on this CD to reflect the afterthought, or aftershock, that follows an emotional loss. The second movement depicts the frantic and frenetic feeling that follows such a shock. That is why I used a figure of two sixteenth notes at the beginning of every measure. The third movement has a descending legato melodic mirroring an ascending line in the first movement. This last movement is the afterthought, and the solemn feeling we have when remembering. With my background in composition combined with film scoring, I tend to see music more as an underscore, be it to a film, or to our lives. From my perspective as a songwriter I also feel strongly about the human voice and the power of song. Ayala Asherov-Kalus Dessau Dances (2011) There is a famous German dance hall outside of Austin, Texas - well, really outside of Pflugerville, TX to be more precise -- that dates back to 1876. For decades Dessau Hall hosted about every major traveling music act ... from polka bands to the dance orchestras of Glenn Miller, Woody Herman, Guy Lombardo, Tommy Dorsey, Artie Shaw and Stan Kenton, to country artists like Bob Wills and the Texas Playboys, Loretta Lynn, Hank Williams, Ernest Tubb, and Willie Nelson. Even Elvis Presley played there several times. Programs were often broadcast over KTBC which was owned by then-Senator Lyndon Johnson and his wife Lady Bird. I recall performing at Dessau Hall with different territory bands ... and remember that there was a big oak tree growing out of the dance floor and up through the roof. I thought that it would be fun to abstract rhythms from three popular dances that we were always asked to play at Dessau Hall -- a schottische, a waltz and a polka. The evenings also featured promenades -- little marches that would stop abruptly providing a kind of musical chairs to identify the next dance partner. So I decided that Dessau Dances needed a promenade theme to open the set and tie each of the movements together. Gordon (Dick) Goodwin Duet for Cello and Piano (2011) Program notes in the classical music tradition provide historical and background information on the piece, the composer, giving the audience tips for what to expect when listening to- Shop: odax
- Price: 28.23 EUR excl. shipping
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Love Songs & Other Trios
Reviewer Kevin Lynch of the The Capital Times/Wisconsin State Journal wrote of this CD: 'By the time Camplin sang 'I've Seen Trouble,' I could feel my heart aching right through my shirt. You pay a small price to hear this man's voice. I once characterized it as the voice of a fallen angel. After hearing Camplin's long-awaited CD of 12 originals, I know more of what I meant. His voice is a glimpse of a private, forlorn hell. But Camplin's shining baritone keeps his spirit more sweet than bitter. He knows that these qualities can get stuck in neutral, so he invariably drives the music forward with his own rhythm guitar and the crackling jump starts of lead guitarist Jason ''Doet'' Klagstad, a contrapuntal momentum that sustains you through the album's predominant quietude (also featured are bassist Steve Kleiber and string player Randy Sabien). That energy also helps boost Camplin's lyrics, which often flash pure poetry: 'You are a danger disguised as a breath of spring/ And after all we're bound to fall and doing it with no shame.' Camplin carries the weight of too many losses, a bit like this past year's Green Bay Packers. But he's a wandering spirit, beholden to nobody's rules. And yet he sings in one song, 'I Still Need Someone'. The songs rummage through the human condition, turning up archetypes like 'Old Man', or loved ones like 'The Daughter', with lyrics like 'raised on whiskey and flowers, born with hope and with shame, conceived by chance and deception'. There are still traces of Bob Dylan -- and even Lou Reed -- in Camplin's tender toughness. Check out the brilliantly rolling cadences of 'Long and Desperate Day'. It's also gratifying to hear him 'speaking to your shadow' on 'January Guitar', reprised from his very first album, 'January', from 1971. Sit back with a glass of wine on a wintry night with someone close and slowly drink in this music.' ***************** BIO Born after doctor recommends that Clara have another baby to give her something to do... This after already having given birth to 5 children... Feels so good she has another. (#6)Hears Ave Maria in the cradle...produces predilection for weepy ballads. Lives normal childhood on a dead end street...on lake...next to railroad tracks. Stays outdoors nearly all day in the summers... Hears 'It's My Party and I'll Cry If I Want To...' Develops standards with regards to weepy ballads. Time goes by... A Teacher discovers him... He serves his detentions... Encounters another teacher who invites him to sing. Goes to fields and factories in no particular order... Dreams the unoriginal dreams of the young... And is tempted by music. Gives in. Begins writing songs in vain attempt to gain control of content... Has fun in spite of self...receives some recognition... And has to write his first bio. Decades pass. Still following the muse...but not much temptation to speak about... Still abusing four syllable words...like oligarchy...like epiphany... Living normal adulthood. A nuclear family...two autos...but no partridge. Singing late at night in the café... Buffing and polishing in a haphazard way... The detritus of an unseen boulder. Meeting more people than there are separate names for. Hearing so many voices...hearing so many voicings...when overwhelmed... Keep singing. Live and learn...oh that's not original? Speaking of which... A bio is a collection of lies... I wish them to be somebody else's. [Don't discuss yourself, for you are bound to lose, if you belittle yourself, you are believed, if you praise yourself, you are disbelieved. -Michel de Montaigne, essayist (1533-1592)]- Shop: odax
- Price: 26.30 EUR excl. shipping
